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International Journal of
English Research
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VOL. 6, ISSUE 4 (2020)
A study of cultural plurality in the Derek Walcott’s Ti-Jean and His Brothers
Authors
Neelam Hooda
Abstract
The verifiable separation of the Caribbean Islands has suggestions for the social orders that have developed. The coincidental method of the "revelation" of the spot and the severe way of occupation by the colonizing powers have offered ascend to what a few researchers allude to as a nebulous society. Except for the indigenous Indian the populace which was to a great extent quickly killed, the occupants of the Caribbean either moved or were coercively moved there. With this combination of individuals of various races and strict convictions and with various intentions of being in the Caribbean, it was hard to make a typical Caribbean ethos, particularly, given the basic disparities made by the establishment of subjection. The goal of this paper is to look at the suggestions these recorded real factors have on the Caribbean social framework and at last on its writing, especially with reference to the sensational structures. The system is to initially investigate the essential content – Ti- Jean and his Brothers – and afterward have plan of action to applicable basic materials in an endeavor to additionally clarify regarding the matter. At long last, it is discovered that these chronicled precursors have offered ascend to the making of a plural society with various arrangements of social qualities existing next to each other the other. This social decent variety as reflected in Derek Walcott's play, Ti-Jean and His Brothers is talked about in this paper.
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Pages:20-23
How to cite this article:
Neelam Hooda "A study of cultural plurality in the Derek Walcott’s <em>Ti-Jean and His Brothers</em>". International Journal of English Research, Vol 6, Issue 4, 2020, Pages 20-23
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