This paper is to study Karnad’s plays from the point of view of Themes and Techniques. While doing so, the focus will mainly be on Man-Woman relationship with the institution of marriage in the postcolonial society. Karnad is India’s best living playwright whose journey from Yayati to Boiled Beans on Toast holds a mirror to the very evolution of a truly ‘Indian Theatre’ which can be true to its traditions and at the same time responsive to contemporary concerns.